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DESCRIPTION:Speaker: Philippe Canguilhem\n\nThis debrief appraises the role of music within the cultural and political life of Florence from the fall of the last Florentine republic in 1530\, to the coronation of Cosimo de’ Medici as grand-duke by the pope in Rome in 1570. These four decades witnessed radical change in Florence’s political history\, with the oligarchical structures that entrusted power to a number of families of bankers and merchants replaced by a dynastic power controlled by the Medici\, who created a ducal court ruled by an absolutist prince\, Alessandro until 1537\, followed by Cosimo I.\n\nPhilippe Canguilhem is Professor of Musicology at the University of Toulouse and a senior member of the Institut Universitaire de France. He was an I Tatti Fellow during 2005-6 and Robert Lehman Visiting Professor at I Tatti in 2019. He was a Fellow at the Italian Academy of Columbia University in 2013. His work focuses on Italian music in the sixteenth century\, with a special emphasis on Florentine musical life. He has published two books on this topic\, Fronimo de Vincenzo Galilei (Centre d'Études Supérieures de la Renaissance\, 2001) and Andrea et Giovanni Gabrieli (Fayard\, 2003). He is also interested in improvised counterpoint in the Renaissance\, and has published an edition and translation of Vicente Lusitano's counterpoint treatises titled Chanter sur le livre à la Renaissance: Les traités de contrepoint de Vicente Lusitano (Brepols\, 2013)\, and a book on polyphonic improvisation in the Renaissance\, L'improvisation polyphonique à la Renaissance (Garnier\, 2015).\n\nZoom link: https://harvard.zoom.us/j/91972605112?pwd=dkZyYVJ2OWYxdzNPR0tIbUFTVmFldz09
X-ALT-DESC;FMTTYPE=text/html:Speaker: Philippe Canguilhem<br><br>This debrief appraises the role of music within the cultural and political life of Florence from the fall of the last Florentine republic in 1530, to the coronation of Cosimo de’ Medici as grand-duke by the pope in Rome in 1570. These four decades witnessed radical change in Florence’s political history, with the oligarchical structures that entrusted power to a number of families of bankers and merchants replaced by a dynastic power controlled by the Medici, who created a ducal court ruled by an absolutist prince, Alessandro until 1537, followed by Cosimo I.<br><br>Philippe Canguilhem is Professor of Musicology at the University of Toulouse and a senior member of the Institut Universitaire de France. He was an I Tatti Fellow during 2005-6 and Robert Lehman Visiting Professor at I Tatti in 2019. He was a Fellow at the Italian Academy of Columbia University in 2013. His work focuses on Italian music in the sixteenth century, with a special emphasis on Florentine musical life. He has published two books on this topic, Fronimo de Vincenzo Galilei (Centre d'Études Supérieures de la Renaissance, 2001) and Andrea et Giovanni Gabrieli (Fayard, 2003). He is also interested in improvised counterpoint in the Renaissance, and has published an edition and translation of Vicente Lusitano's counterpoint treatises titled Chanter sur le livre à la Renaissance: Les traités de contrepoint de Vicente Lusitano (Brepols, 2013), and a book on polyphonic improvisation in the Renaissance, L'improvisation polyphonique à la Renaissance (Garnier, 2015).<br><br>Zoom link: https://harvard.zoom.us/j/91972605112?pwd=dkZyYVJ2OWYxdzNPR0tIbUFTVmFldz09
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SUMMARY:I Tatti Debriefs 5: Music and Culture in Florence during the reign of Cosimo I
DTSTART;TZID=Europe/Rome:20211216T183000
DTEND;TZID=Europe/Rome:20211216T200000
DTSTAMP:20260425T194419Z
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LOCATION:https://harvard.zoom.us/j/91972605112?pwd=dkZyYVJ2OWYxdzNPR0tIbUFTVmFldz09
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