BEGIN:VCALENDAR PRODID:-//AddEvent Inc//AddEvent.com v1.7//EN VERSION:2.0 BEGIN:VTIMEZONE TZID:America/New_York BEGIN:STANDARD DTSTART:20261101T010000 RRULE:FREQ=YEARLY;BYDAY=1SU;BYMONTH=11 TZOFFSETFROM:-0400 TZOFFSETTO:-0500 TZNAME:EST END:STANDARD BEGIN:DAYLIGHT DTSTART:20260308T030000 RRULE:FREQ=YEARLY;BYDAY=2SU;BYMONTH=3 TZOFFSETFROM:-0500 TZOFFSETTO:-0400 TZNAME:EDT END:DAYLIGHT END:VTIMEZONE BEGIN:VEVENT DESCRIPTION:ZOOM details:\n\nhttps://harvard.zoom.us/j/93885657931?pwd=N3FjUWthRmtEMVZGeUdDc1FHU2NLUT09\n\nMeeting ID: 938 8565 7931\n\nPassword: 043546\n\nI Tatti event's page: https://itatti.harvard.edu/event/i-tatti-debriefs-4-drawings-antonio-da-sangallo-younger-means-ivestigating-design-and\n\nThe Drawings of Antonio da Sangallo the Younger. The sheer number of drawings attributed to of Antonio da Sangallo the Younger and his circle are testament to his pivotal role in sixteenth century architecture. A closer look at these drawings reveals much about the complex organizational structure of the architect’s studio while shedding light on previously unknown aspects of Sangallo’s work. This Debrief will investigate the drawings\, not as simple artifacts\, but rather as tools for analysing the architect’s techniques— techniques that cemented his professional supremacy in the extremely competitive world of Roman architecture. Through the drawings we can learn much about how the Sangallo studio operated\, about the division of roles and the individual contributions of the artists working in it\, and about the role of the Fabbrica di San Pietro in the supply of machines\, tools\, and specific skills. This investigation of Sangallo’s drawings will be supported by an in-depth archival and historiographical analysis\, revealing the creative\, technical and economic mechanisms that allowed Sangallo’s business to become the hegemonic Roman architectural model during the Renaissance and beyond.\n\nMicaela Antonucci is Associate Professor of History of Architecture at the University of Bologna and was David and Julie Tobey Fellow at I Tatti during Fall 2020. She holds a PhD in Engineering-Architecture from the University of Tor Vergata and an MD in Architecture from the University of Roma Tre. Her scholarly studies focus on Italian Renaissance architecture\, with special concern for Rome and the work of Antonio da Sangallo the Younger\, and on topics and protagonists of contemporary architecture\, particularly Otto Wagner and Pier Luigi Nervi. She has published books and contributed many essays to international peer reviewed journals on these topics. She is co-editor of books on Pier Luigi Nervi and on Renaissance architecture. X-ALT-DESC;FMTTYPE=text/html:ZOOM details:
https://harvard.zoom.us/j/93885657931?pwd=N3FjUWthRmtEMVZGeUdDc1FHU2NLUT09
Meeting ID: 938 8565 7931
Password: 043546

I Tatti event's page: https://itatti.harvard.edu/event/i-tatti-debriefs-4-drawings-antonio-da-sangallo-younger-means-ivestigating-design-and

The Drawings of Antonio da Sangallo the Younger. The sheer number of drawings attributed to of Antonio da Sangallo the Younger and his circle are testament to his pivotal role in sixteenth century architecture. A closer look at these drawings reveals much about the complex organizational structure of the architect’s studio while shedding light on previously unknown aspects of Sangallo’s work. This Debrief will investigate the drawings, not as simple artifacts, but rather as tools for analysing the architect’s techniques— techniques that cemented his professional supremacy in the extremely competitive world of Roman architecture. Through the drawings we can learn much about how the Sangallo studio operated, about the division of roles and the individual contributions of the artists working in it, and about the role of the Fabbrica di San Pietro in the supply of machines, tools, and specific skills. This investigation of Sangallo’s drawings will be supported by an in-depth archival and historiographical analysis, revealing the creative, technical and economic mechanisms that allowed Sangallo’s business to become the hegemonic Roman architectural model during the Renaissance and beyond.

Micaela Antonucci is Associate Professor of History of Architecture at the University of Bologna and was David and Julie Tobey Fellow at I Tatti during Fall 2020. She holds a PhD in Engineering-Architecture from the University of Tor Vergata and an MD in Architecture from the University of Roma Tre. Her scholarly studies focus on Italian Renaissance architecture, with special concern for Rome and the work of Antonio da Sangallo the Younger, and on topics and protagonists of contemporary architecture, particularly Otto Wagner and Pier Luigi Nervi. She has published books and contributed many essays to international peer reviewed journals on these topics. She is co-editor of books on Pier Luigi Nervi and on Renaissance architecture. UID:1777146219addeventcom SUMMARY:I Tatti Debriefs 4: From Drawing to Stone: The Drawings of Antonio da Sangallo the Younger DTSTART;TZID=America/New_York:20210930T123000 DTEND;TZID=America/New_York:20210930T140000 DTSTAMP:20260425T194339Z TRANSP:OPAQUE STATUS:CONFIRMED SEQUENCE:0 LOCATION:Online event via Zoom X-MICROSOFT-CDO-BUSYSTATUS:BUSY BEGIN:VALARM TRIGGER:-PT2880M ACTION:DISPLAY DESCRIPTION:Reminder END:VALARM END:VEVENT END:VCALENDAR